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🎤 Chris Isaak - Baja Sessions MP3

  • Performer: Chris Isaak
  • Title: Baja Sessions
  • Genre: Rock
  • Country: US
  • Record source: CD, HDCD, Album, Club Edition
  • Released: 08 Oct 1996
  • Style: Rock & Roll, Rockabilly
  • Label: Reprise Records
  • Cat#: 9 46325-2
  • MP3 album: 2040 mb
  • FLAC album: 1243 mb
  • Rating: 4.2/5
  • Votes: 758
🎤 Chris Isaak - Baja Sessions MP3

Tracklist

1Yellow Bird
Written-By – Bergman / Bergman, Luboff
2:29
2Back On Your Side
Written-By – Chris Isaak
3:03
3Return To Me
Written-By – Lombardo, DiMinno
2:17
4Pretty Girls Don't Cry
Written-By – Chris Isaak
3:08
5Waiting For My Lucky Day
Written-By – Chris Isaak
2:38
6Only The Lonely
Written-By – Melson, Orbison
2:53
7Two Hearts
Written-By – Chris Isaak
3:19
8I Wonder
Written-By – Chris Isaak
2:55
9Sweet Leilani
Written-By – Harry Owens
2:16
10Wrong To Love You
Written-By – Chris Isaak
3:55
11South Of The Border (Down Mexico Way)
Written-By – Kennedy, Carr
3:10
12Dancin'
Written-By – Chris Isaak
3:57
13Think Of Tomorrow
Written-By – Chris Isaak
2:58


Versions

CategoryArtistTitle (Format)LabelCategoryCountryYear
9 46325-2Chris Isaak Baja Sessions ‎(HDCD, Album)Reprise Records9 46325-2US1996
75454Chris Isaak Baja Sessions Wicked Game ‎(CD, Album, Unofficial)Reprise Records 754541996
9 46325-4Chris Isaak Baja Sessions ‎(Cass, Album, SR)Reprise Records9 46325-4US1996
W2 46325Chris Isaak Baja Sessions ‎(HDCD, Album, Club, Col)Reprise RecordsW2 46325Canada1996
46325-4Chris Isaak Baja Sessions ‎(Cass, Album)Reprise Records, Balet Plak46325-4TurkeyUnknown


Credits

  • Artwork By [Art Direction + Design] – Linda Cobb Stalker
  • Bass, VocalsRowland Salley
  • Drums, VocalsKenney Dale Johnson
  • EngineerMark Needham
  • Engineer [Sound Consultant]Lee Herschberg
  • Guitar [Lead Guitar]Hershel Yatovitz
  • Mastered BySteve Hall
  • Other [Management] – Howard Kaufman, Sheryl Louis
  • Performer [Additional Musicians]Frank Martin, Jimmy Pugh, Joni Haastrup, Mark Needham
  • Performer [Band]Chris Isaak, Hershel Yatovitz, Kenney Dale Johnson, Rowland Salley
  • Photography [Additional Photos] – Aaron Chang, Saori Miyazaki
  • Photography [Cover Photo] – Aaron Chang
  • ProducerChris Isaak (tracks: 13), Erik Jacobsen (tracks: 1 to 12)
  • Vocals, GuitarChris Isaak


Notes

Thanks to Musical Mundo Studio.

Management: HK Management

All songs published by C. Isaak Music Publishing Co. ASCAP except:
Track 3: Songs of PolyGram / Acuff Rose Music BMI
Track 4: Colgems EMI Music / Shapiro Bernstein & Company ASCAP
Track 8: Threesome Music Co. / Walton Music Corp. ASCAP
Track 10: Southern Music Publishing Company Inc. ASCAP
Track 12: Royal Music Publisher ASCAP

Reprise (logo)
Reprise Records, a Time Warner Company. © 1996 Reprise Records for the U.S. and WEA International, Inc. for the world outside the U.S. ℗ 1989, 1993, 1996 Reprise Records for the U.S. and WEA International, Inc. for the world outside the U.S.
℗ 1985 Warner Bros. Records Inc.
Made in U.S.A.
Mfg. by WEA Manufacturing.

BMG's catalog number replaces the standard barcode number on this release.


Barcodes

  • Matrix / Runout: [SRC Logo] 1 46325-2 RE-1 OLY##01 M1S18
  • Mould SID Code: IFPI 2U7C
  • Rights Society: ASCAP
  • Rights Society: BMI


Companies

  • Record Company – BMG Direct Marketing, Inc. – D115884
  • Licensed To – BMG Direct Marketing, Inc.
  • Copyright (c) – Reprise Records
  • Phonographic Copyright (p) – Reprise Records
  • Phonographic Copyright (p) – Warner Bros. Records Inc.
  • Manufactured By – WEA Manufacturing
  • Recorded At – Coast Recorders
  • Mixed At – Hyde Street Studios
  • Mastered At – Future Disc
  • Published By – C. Isaak Music Publishing Co.
  • Published By – Songs of PolyGram
  • Published By – Acuff Rose Music
  • Published By – Colgems-EMI Music
  • Published By – Shapiro, Bernstein & Co.
  • Published By – Threesome Music Co.
  • Published By – Walton Music Corp.
  • Published By – Southern Music Publishing Co. Inc.
  • Published By – Royal Music Publisher
  • Pressed By – Specialty Records Corporation


Video


Album

Baja Sessions is the sixth studio album by Chris Isaak, released in 1996, featuring largely acoustic arrangements. The album contains a large number of covers, many of which are classic songs such as the Hawaiian-tinged Sweet Leilani and South of the Border Down Mexico Way which refer to, or are styled to suggest, tropical, laid-back settings. Though its title refers to Baja California, the album was recorded at San Francisco's Coast Recorders. Album 1996 13 Songs. Baja Sessions. Chris Isaak. Pop , Sessions. Chris Isaak - Baja Sessions 1996. To favorites 0 Download album. Listen album. Songs in album Chris Isaak - Baja Sessions 1996. Chris Isaak - Pretty Girls Don't Cry. Chris Isaak - Back On Your Side. Chris Isaak - Only The Lonely. Chris Isaak - South Of The Border. Chris Isaak - I Wonder. Chris Isaak - Wrong To Love You. Chris Isaak - Waiting For My Lucky Day. Chris Isaak - Yellow Bird. Chris Isaak - Two Hearts. Listen free to Chris Isaak Baja Sessions Pretty Girls Don't Cry, Back On Your Side and more. 13 tracks 38:51. Isaak's well-known surfing fixation had been referenced here and there on past album art before, but Baja Sessions gives him a chance not only to bring that out in the open but to consciously aim for a much more relaxed, gentle follow-up to the harrowing Forever Blue. Посмотреть сведения об участниках альбома, рецензии, композиции и приобрести альбом 1996 CD от Baja Sessions на Isaak : Baja Sessions,альбом, рецезия, трек-лист, mp3, тексты песен. Released October 8, 1996. Baja Sessions Tracklist. Pretty Girls Don't Cry Baja Sessions, a playlist by ChrisIsaak from desktop or your mobile device


Reviews of the Chris Isaak - Baja Sessions (1):
Mazuzahn
(laughing) Chris is in terrific vocal form here on Baja Sessions, where only three original tracks, along with a couple of re-issues, are stacked up against five covers. And while there isn’t actually an unpleasant moment to be found anywhere on the album, it’s only Chris’ great voice and drifting laid back delivery that allows rather disposable material to come across wonderfully, while still being entirely disposable … and sort of worth owning regardless.

While most listeners, who actually don’t listen, were entirely thrilled by the album, with releases such as San Francisco Days, Forever Blue and the stunning Heart Shaped World so recently behind him, I was expecting a rather large step forward, with of course the record being laced with more of his signature breezy laid back sophistication. What the album implies by its title is a concept, and in reality, there is no concept, simply a grouping of songs (again, mostly covers), that ride was just that, a grouping of songs that hang together seemingly without purpose.

The story goes that Chris was in the process of breaking in a new guitarist, and in the process, the whole band decided to hightail it south of the border, do some surfing, some jamming and see what transpired. The songs “Think Of Tomorrow” and “Dancin’” (which is a re-issue from his 1985 release) are the only solid memorable adventures on the entire album, one laced with the cover of Gene Autry’s (yes, the singing cowboy) number “South Of The Border,” and equally out of place recordings from Bing Crosby and of all people Dean Martin. While perhaps being presented as well as these songs could be, they simply don’t accomplish anything other than filling out an album. All of this of course means that I’m left pulling off the best material for my own personal assemblage … though, for some reason I haven’t managed to rid myself of the record as of yet.

I’d be remiss if I didn’t say that the album is pleasantly calm and flowing, but it fails to grab hold, sit you down and compel you to listen. Of course if I felt I needed to be cutting, I’d say, “Chris Isaak began as a welcomed rockabilly revivalist, though on Baja Sessions he’s resoundingly entered through the Elvis (Presley) stage door of his career. There is absolutely no other way to fathom or explain his straight faced renditions of hokey numbers such as “Sweet Leilani” or “South Of The Border” without feeling like this is Isaak’s self-proclaimed attempt to infiltrate the bar mitzvah circuit, a step that will relegate him to being a has-been so early in life. Let’s just hope that this is not the course he intends to stay.

*** The Fun Facts: While recorded nowhere near the Baja region, it’s claimed that the exotic location did inspire the vision, atmosphere and texture of the album … technically recorded in San Francisco.

Review by Jenell Kesler

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