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🎀 Moritz Von Oswald Trio - Horizontal Structures MP3

  • Performer: Moritz Von Oswald Trio
  • Title: Horizontal Structures
  • Genre: Electronic
  • Country: UK
  • Record source: 2 Γ— Vinyl, LP, Album
  • Released: Feb 2011
  • Style: Abstract, Dub Techno, Dub, Experimental
  • Label: Honest Jon's Records
  • Cat#: HJRLP54
  • MP3 album: 1131 mb
  • FLAC album: 1206 mb
  • Rating: 4.8/5
  • Votes: 205
🎀 Moritz Von Oswald Trio - Horizontal Structures MP3


1Structure 310:05
2Structure 116:02
3Structure 215:00
4Structure 420:08


CategoryArtistTitle (Format)LabelCategoryCountryYear
HJRCD54Moritz Von Oswald Trio Horizontal Structures ‎(5xFile, MP3)Honest Jon's RecordsHJRCD54UK2011
PCD-93386Moritz Von Oswald Trio Horizontal Structures ‎(CD, Album)P-Vine RecordsPCD-93386Japan2011
HJRCD54Moritz Von Oswald Trio Horizontal Structures ‎(CD, Album)Honest Jon's RecordsHJRCD54UK2011


  • Congas, Percussion [Metal] – Vladislav Delay
  • Design – Will Bankhead
  • Double Bass – Marc Muellbauer
  • Engineer – Teo Schulte
  • Guitar – Paul St. Hilaire
  • Mastered By – GΓΆtz Rieth
  • Mixed By – Max Loderbauer, Moritz Von Oswald
  • Photography By – Cosima Von Bonin
  • Producer – Moritz Von Oswald
  • Programmed By, Keyboards, Percussion [Additional] – Moritz Von Oswald
  • Recorded By – Mike Grinser
  • Recorded By [Guitar] – Tobias Freund
  • Sequencer, Synthesizer – Max Loderbauer


(p) & (c) Honest Jon's Records 2011

Comes in a gatefold cover.


  • Matrix / Runout (Side A Label [Printed]): HJRLP54A
  • Matrix / Runout (Side A Runout Groove [Stamped]): HJR LP54 A2
  • Matrix / Runout (Side B Label [Printed]): HJRLP54B
  • Matrix / Runout (Side B Runout Groove [Stamped]): HJR-LP 54PL1-B
  • Matrix / Runout (Side C Label [Printed]): HJRLP54C
  • Matrix / Runout (Side C Runout Groove [Stamped]): HJR-LP 54PL2-C
  • Matrix / Runout (Side D Label [Printed]): HJRLP54D
  • Matrix / Runout (Side D Runout Groove [Stamped]): HJR-LP 54PL2-D


  • Phonographic Copyright (p) – Honest Jon's Records
  • Copyright (c) – Honest Jon's Records
  • Mixed At – Lime Street Studio
  • Mastered At – Eastside Mastering Studios



Moritz Von Oswald Trio is his group of living, breathing musicians- an all-star ensemble that also includes Max Loderbauer NSI, Sun Electric and percussionist Sasu Ripatti Vladislav Delay. It's a unique concept: a live band that performs minimalist dance music- well dressed, clean-shaven, and ready to jam. Horizontal Structures is the group's second studio LP, following a debut, Vertical Ascent, and a live album recorded during an appearance at New York's Le Poisson Rouge. As with the trio's previous output, the compositions on Horizontal Structures are entirely impro. Songs in album Moritz Von Oswald Trio - Horizontal Structure 2011. Moritz Von Oswald Trio - Horizontal Structure 1. Moritz Von Oswald Trio - Horizontal Structure 2. Moritz Von Oswald Trio - Horizontal Structure 3. Moritz Von Oswald Trio - Horizontal Structure 4. Moritz Von Oswald Trio - Horizontal Structure 5. Horizontal Structures Moritz Von Oswald Trio. Summary: This is the second studio album for the trio that includes Moritz Von Oswald, Max Loderbauer, and Sasu Ripatti. Record Label: Honest Jon's. Genres: Electronic, Experimental, Techno, Ambient Techno, Minimal Techno. Listen free to Moritz von Oswald Trio Horizontal Structures Structure 1, Structure 2 and more. 5 tracks 70:05. The trio of Moritz von Oswald, Max Loderbauer and Sasu Ripatti return with a third album, this time enriched and expanded by guitar contributions from Paul St. Hilaire also known as Tikiman, and double bass courtesy of Marc Muellbauer. Horizontal Structures is palpably a more open, more expressive album than the previous studio recording, Vertical Ascent. There is more contrast, more light and shade. Hilaire and Muellbauer add fresh drama and swing to the intim. Moritz von Oswald born 1962 is a German record producer and percussionist from Hamburg. He is based in Berlin. He is a co-founder of the production duo and record label Basic Channel. He has collaborated with Juan Atkins, Carl Craig, and Nils Petter Molvær. The Stranger called him one of the master architects of dub techno. Moritz von Oswald was born in 1962 in Hamburg, Germany. He is a member of the House of Bismarck and a great-great-grandson of Otto von Bismarck. His parents were Countess Mari. Lesen Sie Rezensionen und informieren Sie sich über beteiligte Structures, 2011. Horizontal Structures, 2011. Moritz Von Oswald Trio. Structure 2, 15:11. Structure 3, 10:07. Structure 5, 08:28. Now playing . Is Horizontal Structures the best album by Moritz Von Oswald Trio brings together thousands of 'greatest ever album' charts and calculates an overall ranking. Horizontal Structures by Moritz Von Oswald Trio 2011 Release date: 2011-03-02 Overall rank: 94,704th. Accolades: Top albums of 2011 2,759th

Reviews of the Moritz Von Oswald Trio - Horizontal Structures (2):
Not bad but nothing special... meandering in a directionless sort of way. Considering the names involved, I expected a lot more from these Trio albums, but they all seem relatively aimless to my ears. But to be honest I haven't been much impressed by anything Moritz has done since Rhythm & Sound, except for that superb Tony Allen remix a few years ago.. Perhaps the bar was set too high and I'm jaded..
Sadaron above the Gods

1. I'm looking for a reason to listen to this beyond it being some guys who have done some damn fine music in their time. The nature of the recordings implies there be some faith taken on the players and the listeners part. So here we go. I'd swear as structure one expands, it's sounding more and more like the Grateful Dead circa late 80's at the interlude where Drums recedes in to a pattern and right before taking off into Space. This is drift music. 2. Jam bands can use electronic music to great effect when used with a certain regard towards what they can do to a pulse, i.e. groove. Where Structure One loses touch and increasingly goes into itself and some tangerine dream like arpeggios. Two comes alive and has some beads of sweat forming about it as it begins to wiggle and writhe underneath a hypnotizing and flashing framework that only ever, and slowly fades into the background before falling over itself into a canyon. 3. An ocean of sound slowly washing over me and taking me away into the sonic Ε“ther and brushing up against the Orb and their logness of dub influences. Play twice before listening music. 4. Guitars without some regard to their noise making and textural ability are just doomed to always just be noodly instruments. Gypsy movements and jammy spasm's in a structured German style. 5. Not sure. But there are some moments of this improv ambient get down that sound not unlike what I suspect would happen when you put a series of different effects on a set of wind chimes going off.

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